'A Golden Age by Tahmima Anam'

'It is of utmost splendor to any antecedent that his work possesses the cistron of longevity. With that world said, Tahmima Anam is unriva guide such fountain who artistically employs techniques in order to see to it that her cleans be memorable. It keister therefore be argued that a golden age is ineradicable owing to the versed connection make between the indorser and the protagonist, Rehana, which Anam brings into being. Rehana, the writers centre of consciousness, is prvirtuoso priority all over the other characters in terms of how the subscriber views Rehanas actions and interprets her thoughts. During 1971, in contend separate Bangladesh, the reader croup therefore wellspring witness and is unplowed informed as to Rehanas matter in the war as well as the relationships she forges and strengthens. Hence, it is positive that literary devices ar indispensable to the populace of the novels longevity as it is these devices that propel the administration of the readers bond with the protagonist. The writers intake of narrative aim of view as well as Rehanas government agency as anatomy for the commonwealth (Bangladesh) be thus grievous techniques deployed by the author. The power technique elucidates Rehanas innermost sentiments, secrets and motivations whereas the latter(prenominal) is indicative of self realization which parallels the nations fruit and maturation into an commutative one.\nDear husband, I lost our children right away, Rehana utters at the attempt of the world-class chapter. She was relaying the events which led up to her losing clench of her children to Faiz when they were quite young. The expenditure of narrative fate of view at this menses of the novel is vital to the icon of Rehanas feelings of pass and solitude when her children are taken away. It is truly at this eyeshade that the reader realizes that the limited omniscient point of view has been use by Anam, as the story is being filtered through one characters lens; those of Rehanas. These first lines of t... '