The Godfather Movie Review United States, 1972 Cast: Marlon Brando, Al Pacino, crowd Caan, Robert Duv wholly, Diane Keaton, Talia Shire, Al Lettieri, Sterling Hayden, toilet Cazale Director: Francis Ford Coppola producer: Albert S. Ruddy Based on a novel by Mario Puzo U.S. electrical distri scarceor: Paramount Pictures Rarely can it be said that a fill has defined a genre, but never is that more than authoritative than in the case of The Godfather. Since the passing game of the 1972 epic (which garnered ten academy Award nominations and was named Best Picture), all gangster movies birth been judged by the standards of this one (unfair as the compare may be). If The Godfather was only to the highest degree gun-toting Mafia types, it would never have garnered as legion(predicate) accolades. The peculiarity that sets this movie apart from so many of its predecessors and successors is its ability to cheat the often-many layers of story into a sticky whole. Any of the i ndividual issues explored by The Godfather are strong profuse to form the foundation of a movie. Here, however, bolstered by so many complimentary themes, each is abandoned added resonance. The picture is a serial publication of mini-climaxes, all building to the devastating, classical conclusion. Rarely does a film tell as many diverse-yet-interconnected stories.
lovesome performances, solid directing, and a tightly-plotted script all contribute to The Godfathers success. This drift picture was non slapped together to for fill the appetite of the mountain; it was carefully and painstakingly crafted. Every major character - and more t han a some minor ones - is moulded into a d! istinct, complex individual. Stereotypes did not influence Coppolas film, although current ones were formed as a resolvent of it. The film opens in the study of Don Vito Corleone (Marlon Brando), the Godfather, who is holding court. It is the man and wife of... If you requirement to get a full essay, order it on our website:
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